Repurposed
Repurposed delves into the profound connection between rural and Ukrainian culture through the textile compositions of artist Myroslava Boikiv, juxtaposing the influences of immigrating to Toronto, Canada, and comparing rural to urban surroundings. Each meticulously crafted tapestry serves as a vibrant reflection of Ukrainian folklore, traditions, and customs, offering viewers a glimpse into the rich tapestry of Ukrainian heritage.
In this exhibition, Myroslava reimagines "rural culture", historically undervalued, particularly during the Soviet era, as a symbol of true beauty and value. Inspired by the wisdom of her grandmother Anastasia, whose expression "Як не стане, то сі лишит." ("Yak ne stane, to si lyshyt") paraphrased as "There will always be either too much or too little. Carry on." resonates throughout her work, Myroslava infuses each piece with a profound sense of hope and possibility.
Through her innovative use of discarded fabrics, she breathes new life into forgotten materials, transforming them into captivating contemporary creations that resonate with deep emotional significance. Guided by her grandmother's words, Myroslava's work reflects the resilience and optimism of immigrants adapting to new environments. Drawing parallels between the rural landscapes of Ukraine and the urban landscape of Toronto, she explores themes of adaptation, preservation, and the enduring essence of cultural identity.
With a deep attachment to Ukrainian culture, Myroslava infuses each piece with her own vision and interpretation, creating textile compositions that captivate with their beauty and narrative depth. Repurposed invites viewers to explore the intersection of tradition and innovation while contemplating the complexities of cultural migration and the evolution of identity in an ever-changing world.
Energy
Energy
Main piece 39 x 66 inches
Full composition 105 x 70 inches
Material Jarn, mixed yarn, wool, linen, cotton, silk, hemp, bamboo
Year 2021
"Energy" captivates with its dynamism and creativity. While working on this triptych, inspiration stemmed from powerful energetic impulses that subconsciously led to unexpected combinations of techniques in the three-dimensional plane. This exploration illustrates the boundlessness of energy that transcends ordinary spatial constraints.
The fiery colour palette enhances the essence of the composition, adding intensity and liveliness to the artwork. Additionally, an intriguing improvisation on the fabric reminiscent of the powerful sounds of the Hutsul trembita is incorporated. This element adds depth and complexity to the piece, expressing subtle feelings in line with the concept of "thinking outside the box."
Overall, "Energy" invites viewers to contemplate the multifaceted nature of energy and encourages them to explore unconventional perspectives for experiencing art.
Tree of Life
Tree of Life
Material yarn, wool, linen, hemp, silk, canvas, wood
Size main piece 33 x 43 inches Size full composition 80 x 55 inches
Year 2019
Tree of Life
Integrated seamlessly into the overarching depiction of the "Tree of Life," this symbolic representation transcends mere artwork to penetrate various facets of culture and spirituality. The portrayal of the tree on the tapestry encapsulates not only its visual allure, but also its profound symbolism, intertwining with the cultural and artistic heritage of Ukraine and numerous other nations worldwide. Within Ukrainian culture, renowned for its diverse folk traditions, the "Tree of Life" emerges as a central motif, evident in an array of artistic expressions such as pysanky, embroidery, and ceramic crafts. This motif not only showcases the grandeur of cosmology but also underscores profound spiritual dimensions, illustrating life as an ongoing journey of growth and renewal, even amidst adversity.
Panorama – Behind The Buildings Sunset as seen from my home in Toronto
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Ukraine, where I was born
Panorama of my orchard in Kovalivka Village
Main piece 23 x 39 inches
Full composition 49 x 55 inches
Jarn, silver yarn, wool, linen, cotton, silk, hemp, wood
Year 2022
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Canada, where I now live
Sunset as seen from my home in Toronto
Main piece 23 x 36 inches
Full composition 63 x 58 inches
Wool, cotton, silk, hemp, mixed yarn, canvas, wood
Year 2021
The first artwork, "Panorama of my Orchard in Kovalivka Village," depicts the spring awakening of nature, where snow still lies but life gradually returns to the earth. The returning cranes symbolize an unbreakable connection to the homeland, willing even to sacrifice their lives to return. This moment is conveyed with the subtlest nuances.
In the second artwork, "Sunset as seen from my home in Toronto," the silhouette of the metropolis is depicted, with blue herons in front of it. This combination of nature and urban landscape emphasizes the coexistence of wild nature and civilization, creating an impression of a unified whole. Here, the urban environment is perceived as an artificial beauty that exists alongside nature, much like how the herons remind of cranes and the native land of Ukraine.
These two pieces offer a juxtaposition: the beauty of one's home and natural surroundings contrasted with the exploration of finding beauty within the urban landscape, seeking the natural amidst the city's surroundings.
Foreboding
Foreboding
Main piece 18 x 31 inches
Full composition 60 x 47 inches
Wool, mixed yarn, cotton, acrylic, bamboo
Year 2022
Part of the Street Art Textile project in downtown Toronto, "Foreboding" encapsulates the spontaneous essence of creation: conceived in a single day, it bursts forth with vibrant, contrasting colours heightened by broad brush strokes, lending a unique character to its abstract composition. This tapestry remained unfinished for several months, its inception in October 2021 coinciding with a period of personal disturbance, particularly due to the unsettling imagery it evoked. The striking resemblance of the red stripes to streams of flowing blood left me deeply perplexed, prompting a quest for meaning.
Now, with the streets of Ukraine awash with the innocent blood of its people, I find myself drawn back to this work, completing what has transformed into "Foreboding" - a tapestry I now interpret as a vivid harbinger of the violence currently ravaging my homeland. Created amidst the ominous lead-up to the full-scale invasion of Ukraine, the colours and contrasts within this piece serve as a reflection of the enduring tension, pain, and suffering endured by generations in Ukraine. Embedded within the creation process is a profound element: the subconscious. Upon introspection, l've come to understand the deeper significance this piece holds, revealing layers of meaning that transcend the conscious mind's initial grasp.
Portrait
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Ukraine, the bride wears this ceremonial feather headdress once in her life
Kliuchiv's Bride
Main piece 29 x 34 inches
Full composition 77 x 55 inches
Material wool, linen, cotton, hemp, silk, mixed yarn, bamboo
Year 2023
Klyuchiv's Bride Material wool, linen, hemp, silk, mixed yarn, bamboo Size main piece e 29-34 inches Size full composition 77-55 inches Year 2023 The tapestry "Klyuchiv's Bride" is a testament to the enduring allure of Ukrainian bridal tradition. Inspired by the captivating image of a bride adorned with a lavish white wreath of goose feathers, this artwork evokes a sense of timeless beauty and cultural heritage. I first encountered this enchanting silhouette in old photographs during my teenage years, and its memory has stayed with me ever since. Having grown up in Kovalivka, I had easy access to such photographs as Klyuchiv, the neighbouring village, held a treasure trove of cultural imagery. Now, transplanted to Canada, the "Klyuchiv's Bride" finds a new home and purpose. Her graceful form and intricate adornments take on new significance as they are reimagined within the context of a modern interior. As an abstract artwork, the tapestry adds a layer of sophistication and depth to its surroundings, while also serving as a poignant reminder of the rich traditions from which it originates.With each glance, the viewer is transported to a world where old meets new, where the past is seamlessly woven into the fabric of the present. "Klyuchiv's Bride" serves as a bridge between cultures and generations, offering a glimpse into the beauty and complexity of Ukrainian heritage. Notably, neighbouring Kovalivka, the village of Klyuchiv contributes to this rich tapestry of tradition and symbolism.
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This work is complete, but has brought new conversations to my work and will be discussed in the future.
Main piece 30 x 33 inches
Full composition 61 x 50 inches
Wool, cotton, hemp, palm leaf
Year 2023
Landscapes
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Ukraine, the endless steppes
Ukrainian Steppes
Work in progress
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Canada, diverse landscape of the prairies
Canadian Prairies
Main piece 40 x 52 inches
Full composition 75 x 67 inches
Yarn, wool, linen, cotton, hemp, silk, mixed cut pieces of fabric, bamboo
Year 2023
"Prairies" breathes new life into traditional weaving methods through the innovative use of new, found, and discarded materials, resulting in a captivating interplay of colours and textures that vividly evoke the varied landscapes of the Canadian prairies.
This artwork is an ode to the natural beauty of the prairies but also pays homage to their historical significance as the site of early Ukrainian settlements. Through its intricate weave, "Prairies" serves as a powerful symbol of the land's fertility and cultural heritage, resonating deeply with immigrants who find echoes of their roots within its threads.
The “Parallels” project is supported by the Shevchenko Foundation.